Miracle Movie Thoughts
from Carlene Webb
Looking for a good "Miracle" Movie? Check out the thoughtful reviews below. Would you like to share your miracle movie experience with your brothers and sisters? Simply, send an Email to
Now Playing - Most Recent Reviews Listed First
Artificial Intelligence (2.1 of 5)
~ Close Encounters of the Artificial Kind.
Serendipity (4.834 of 5)
~ Amy thought it was impeccably flawless.
The Others (4.8 of 5)
~ Vincent Price would be proud.
Original Sin (3.39 of 5)
~ Sumptuous, sensuous and sexy.
America's Sweethearts (2.132 of 5)
~ Group thumbs up, Linda saw it twice.
Legally Blonde (5 of 5)
~ Even better than its trailers.
Lara Croft: Tomb Raider (4.3 of 5)
~ Indiana Jones never looked so good.
Shrek (4.9 of 5)
~ The Brothers Grimm meet Beauty and the Beast.
Angel Eyes (4.589 of 5)
~ Huge Group Thumbs Up.
A Knight's Tale (4.59 of 5)
~ Geoffrey Chaucer meets David Bowie.
Bridget Jones's Diary (4.89 of 5)
~ One of Gene's Favorites.
Along Came the Spider (4.399 of 5)
~ This Spider spins a thrilling web.
15 Minutes (2.25 of 5)
~ Andy Warhol may be impressed but will movie audiences.
Heartbreakers (2.89 of 5)
~ "Ripley" never looked so good.
Someone Like You (3.1 of 5)
~ Battle of the sexes.
3000 Miles to Graceland (0.1 of 5)
~ Is it a musical or a musical review?
The Mexican (2 of 5)
~ Disappointing, but Julia is beautiful
Sweet November (1.75 of 5)
~ Charlize is gorgeous
Hannibal (3.222 of 5)
~ Noah says the dinner scene is food for thought
Crouching Tiger, Hidden Dragon (3.3999 of 5)
~ Visually stunning Best Picture nominee
The Gift (3.689 of 5)
~ Jennifer's pick
Save the Last Dance (4.4 of 5)
~ Dirty Dancing meets Guess Whose Coming to Dinner
The Wedding Planner (4.68 of 5)
~ Bon says Matthew is a babe
Traffic (3 of 5)
~ Technically brilliant
O Brother, Where Art Thou? (3.6 of 5)
~ It's not the economy - it's the music, stupid
Unbreakable (3.3 of 5)
~ Just a matter of perception
The Family Man (4.79 of 5)
~ Could become a holiday classic
Proof of Life (4.299 of 5)
~ The short affair of Meg and Russell
Pay It Forward (4.6 of 5)
~ Group thumbs up
Duets(2.99 of 5)
~ Warm and fuzzy but lacking
Video Pix - In Alphabetical Order
All the Pretty Horses (1.5 of 5)
~ Bland, but watchable
Almost Famous (4.2 of 5)
~ Anthem for an era
The Astronaut's Wife (4.7 of 5)
~ Should have been bigger at the Box Office
The Bachelor (0.9 of 5)
~ Thumbs down
Bedazzled (3.1 of 5)
~ Clever Faustian twist
Best in Show (3 of 5)
~ Dog lovers unite
Billy Elliott (4.398 of 5)
~ Gritty, but inspiring
Bounce (4.73 of 5)
~ Ben and Gwyneth have chemistry
The Cell (4.1 of 5)
~ Gruesome thriller
Charlie's Angels (4.79 of 5)
~ Bodacious babes
The Contender (5 of 5)
~ One of the best movies of the year
End of Days (3.2 of 5)
~ Schwarzeneggar with a Satanic twist
Finding Forrester (4.799 of 5)
~ Double group thumbs up
Galaxy Quest (3.5 of 5)
~ Witty Star Trek spoof
Gladiator (3.5 of 5)
~ Sandy loved it
Happy, TX (4.692 of 5)
~ Funny and sweet
The Legend of Bagger Vance (3.8 of 5)
~ Stars the charismatic Will Smith
Lost Souls (2.3 of 5)
~ Script needed work
Meet the Parents (3.9 of 5)
~ Group thumbs up
Men of Honor (4.398 of 5)
~ Gripping group thumbs up
Miss Congeniality (4.698 of 5)
~ Sandra Bullock is a national treasure
The Ninth Gate (1.75 of 5)
~ Unfulfilling, but tries
Remember the Titans (4.69 of 5)
~ Inspirational true story
Spanish Prisoner (3 of 5)
~ Entertainment for the mind
Still Breathing (5 of 5)
~ For romantics only
Stir of Echoes (3.7 of 5)
~ Excellent Kevin Bacon thriller
The Straight Story (4.64 of 5)
~ Richard Farnsworth's last performance is a gem
Three Kings (2.7 of 5)
~ Successful action flick
What Dreams May Come (5 of 5)
~ Extraordinarily romantic
What Planet Are You From? (1.9 of 5)
~ Gary Shandling as a sexy alien????
What Women Want (4.599 of 5)
~ Mel's first try at romantic comedy is a success
Woman on Top (3.4 of 5)
~ Group double thumbs up
"Artificial Intelligence"
You may notice a neon sign in "A.I. Artificial Intelligence" reading "Dr. Strangelove" or a full moon like the one in "E.T.". These images represent the two visions behind this film which is half Stanley Kubrick ("The Shining", "Eyes Wide Shut", "2001: A Space Odyssey") and half Steven Spielberg. Based on the short story "Supertoys Last All Summer Long" by Brian Aldiss, Kubrick conceived the idea in the early 80's. Eventually, he felt the story was better suited to Spielberg who not only directed but also wrote the script. Possible Oscar nominee, for the second time, Haley Joel Osment ("The Sixth Sense") is brilliant as the "never blinking" robot who wants to be a real boy so his mother will love him. After seeing scenes from "Pinocchio", he surmises the way to do this is find the "Blue Fairy" who can grant him his wish. (Interestingly, another reason Kubrick passed the torch was that he tried to create a real robot to "play" the boy but was unsuccessful.)
The setting is a surreal future, often dark - literally and figuratively - where global warming has left much of the planet underwater. William Hurt ("Body Heat", "Broadcast News") is "Dr. Hobby", a "Wizard of Oz"-like character who creates "David" in the image of his dead son. There are definitely family themes here (one of Spielberg's favorite motifs). Jude Law ("The Talented Mr. Ripley", "Enemy at the Gates ") provides much needed humor in the form of "Gigolo Joe" a mecha with a "Saturday Night Fever" swagger who is "built to please". This world is peopled by orgas, humans, who the more they "come to love robots, the more they distrust them." "Joe" says they "made us too smart, too soon, and too many." The connection to fear based issues of race, class and any other bias can definitely be drawn - a good example of what A Course in Miracles calls "special" love and "special" hate. In scenes reminiscent of Christians being thrown to the lions, mechas are "destroyed" in carnivals called flesh fairs.
It could be argued that movies are modern day reenactments of myth (the spiritual potentialities of life). That could definitely be true here: myths of family love, the influence of technology on mankind, the existence of extraterrestrial life, and/or what it means to be human. Philosophers and theologians often say that the only way to describe someone is in terms of his imperfections. If that is the case, does "David" become human when he strikes out in rage at other robots like himself or when he contemplates suicide? Or does he become human when - at the end - after enjoying a beautiful day with his mother, he chooses to join her in death or "heaven." Fans of Kubrick and Spielberg will be intrigued by how these two film geniuses merge (one light and optimistic, one dark and cynical). The themes are deep and thought provoking, but it would be hard to say that this slow and somber film is entertaining. "A.I. Artificial Intelligence" gets only 2.1 out of 5 smiley faces.
"Serendipity"
If you check your trusty Webster's, you will find that "Serendipity" means a "fortunate discovery by accident." What you will not find is that it also refers to a romantic little coffee shop in Manhattan as well as the new movie starring John Cusack (brother of Joan, "America's Sweethearts", "High Fidelity") and newcomer, destined for stardom, Kate Beckinsale ("Pearl Harbor", "Golden Bowl"). While shopping at Bloomingdales during the Christmas holidays our two leads meet. Is it love at first sight? The romantic in me would like to think so. In any case, as Marianne Williamson would say, it is definitely "lust real high."
The universe seems to be conspiring to keep the cute couple together, and they end up having a magical day or, we "Course" people might say, having a Holy Instant. Being the more practical of the two "Jon" would at least like to know her name. Very "New Age", "Sara" prefers to trust in the wisdom of fate and says that she will write her number in a book and sell it to a used bookstore. If he finds it, "we are meant to meet again." As Hollywood plots would have it, they spend the next several years in various relationships but always thinking about each other. Generally speaking, movies with this structure - i.e., the stars meet in the beginning and have no scenes together until the end - fail.
In this case, the structure not only works it has to be. Metaphysically and/or spiritually speaking, it could be argued that they have to release more fear before they are ready for each other. The script is tight, the direction superb, and the supporting cast spectacular. Molly Shannon ("Saturday Night Live"), Eugene Levy ("Best in Show", "American Pie"), John Corbett ("Sex and the City", "Northern Exposure") and Jeremy Piven ("Ellen", "Cupid", "The Family Man') are hilarious and almost steal the movie. "Serendipity" is a romantic, feel good must see getting it 4.834 out of 5 smiley faces.
"The Others"
In the beginning was only Love, then the Sonship forgot to laugh. Not to worry, the Holy Spirit was with us when we projected out of heaven. Alas, to fight right-mindedness, the ego created romantic love - which explains why there was such hubbub during the Hollywood premiere of "The Others." Yes, there was Oscar buzz about Nicole Kidman's excellent performance as a troubled mother who must protect her adorable children from not only a genetic disorder that makes them "allergic" to light but from mysterious goings on in their spooky gothic manor.
But the real reason the paparazzi were on high alert was the fascination with Tom and Nicole. They were wondering if Nicole and her former husband Tom Cruise, who produced the film (when they were still engaging in "special love") would both show up. Poor paparazzi. Though both stars were there, coincidentally on the day their divorce became final, timing was such that they were never anywhere near each other. Publicity aside, this psychological thriller is creepy, crawly and full of things that go bump in the night.
The plot is taut, the direction suspenseful, and the "haunted" house truly eerie. Vincent Price would be proud, for this old-fashioned chiller relies not on violence, gore, or teenagers in danger. It provides fright by weaving a good story much like a spider its intricate web. The performances are superb. Like Kidman, seasoned character actress Fionnula Flanagan could be in the running for Oscar as well. "The Others" is a riveting must see and gets 4.8 out of 5 smiley faces.
"Original Sin"
If you make movie-going decisions based on critics, you will probably avoid "Original Sin" which received generally bad notices. On the other hand, our movie group loved it. So why were reviewers so harsh? Perhaps they were prejudiced to begin with by the advanced publicity. When a studio fails to release a movie for a year, it generally means the film has problems. Similarly, it could be that a steamy potboiler based on a work of "pulp fiction" was not pretentious enough for the "professionals." (Just a note. Antonio Banderas, in a recent interview on Bravo's "Inside the Actor's Studio", said this performance is his best work to date.)
He plays "Luis Vargas" a man who does not believe in love. All he wants from his "plain" mail order bride is companionship and children. He gets more than he bargained for in the form of luscious Angelina Jolie. Beautiful, wounded and feeling unworthy of love, she does what she has to do to survive and makes no apologies. From the very beginning, their relationship is based on a lie, for neither is what they claimed to be. As the opening narration states, this is "not a love story, but a story about love." In A Course in Miracles terms it could be argued that there really is no difference since, in reality, there is only one Love and that is the way God loves, which is not supposed to be "special."
Based on Waltz into Darkness by Cornell Woolrich, who also wrote the story Alfred Hitchcock turned into "Rear Window", the script is occasionally convoluted. But the setting, Cuba at the turn of the century, is stunning, sensual and very evocative of a time and a place. While the direction is occasionally choppy, the plot is compelling and the sumptuous imagery, mesmerizing. What is the "Original Sin"? That is a matter of perception better left to audiences. Yes, it is steamy and passionate. No, it is not the best movie ever made. But it is well worth seeing and gets 3.39 out of 5 smiley faces.
"America's Sweethearts"
Start with a screwball comedy from Hollywood's Golden Age starring, say, Rock Hudson, Doris Day and Tony Randall. Add "real life" shades of Richard Burton and Elizabeth Taylor combined with touches of "Singin' in the Rain" only more contemporary. Blend, generously, with a lot of "insider" showbiz humor and you have "America's Sweethearts". The ultimate Oscar host, Billy Crystal co-wrote, co-produced and co-stars as a publicist alongside Julia Roberts, John Cusack ("Being John Malkovich") and Catherine Zeta-Jones. John and Catherine play a celebrity couple that split up when she takes up with "lispy" Spaniard, played by Helen Hunt's ex, Hank Azaria ("Tuesdays with Morrie").
Julia is the formerly fat "ugly duckling" (yes very hard to believe - major suspension of disbelief is called for here) sister who is secretly in love with the quirky husband. He is just too slow to get it until his nervous breakdown sends him to a Zen monastery headed by the Deepak Chopra like Alan Arkin ("Edward Scissorhands"). The soon to be divorced couple must make nice and reunite for a press junket (notwithstanding the fact that she thinks he tried to kill her) supporting the last movie they shot together which was directed by a character very similar to Stanley Kubrick if he had starred in "Twin Peaks." The script is clever, the humor sharp and pointed, especially in its treatment of the Hollywood press and money hungry studio executives.
Stanley Tucci ("Murder One") is rather twisted playing a studio head, and the odd director is played by the usually odd Christopher Walken ("Blast from the Past"). As satire, this film works though it is a bit mean-spirited. As romantic comedy, it falls flat. The romance between Julia and John is not really developed. For one thing, they have very few scenes together. There is no "building" of their relationship. If you want to see a lot of Julia or a sweet romantic comedy, you will probably be disappointed. If you enjoy "show-biz" and stinging wit, you might enjoy "America's Sweethearts". Not a must see, it gets 2.132 out of 5 smiley faces.
"15 Minutes"
"In the future, everyone will be world famous for fifteen minutes."
Andy Warhol
Start with Jerry Springer. Add "The National Enquirer". Throw in a little Geraldo Rivera and "Cops". Combine with Martin Scorcese plus a dash of "The Bugs Bunny, Road Runner Comedy Hour" and you have "15 Minutes." This action plot centers on two European criminals who arrive in America and go on a killing spree. Their plan is to film their crimes, plead insanity, and end up celebrities with book and movie deals. One is obsessed, ironically, with Hollywood humanist director Frank Capra ("It's A Wonderful Life"). The other is just obsessed.
Robert DeNiro is a good cop who is also famous because he works with a TV tabloid anchor played in very sleazy fashion by "Frasier" star Kelsey Grammar. As DeNiro's sidekick, Edward Burns ("Brothers McMullen") is a fire marshall who gets involved in the investigation. He is bland, but Melina Kanakaredes (TV's "Providence") and Charlize Theron are intriguing not to mention beautiful. Unfortunately, both have only small roles.
This thriller can be thought provoking, especially for ACIM students, because it shows how the ego focuses on something outside itself - in this case fame - to keep its fears repressed and provide happiness and self-esteem. Otherwise, very intense and gruesomely violent, "15 Minutes" is technically well done, but it would be hard to say that it is entertaining or pleasant. Definitely not a must see, it gets only 2.25 out of 5 smiley faces.
"3000 Miles to Graceland"
"Funny How Time Slips Away" when you watch a good film, such was NOT the case with "3000 Miles to Graceland". Excruciatingly boring and mind numbing, this caper flick turned road movie stars Kevin Costner who needs a critical hit not to mention a box office success. This testosterone overload is neither, which may lead the star to check into "Heartbreak Hotel". The former "Dances With Wolves" Oscar winner plays a "Big Boss Man" who leads a group of bad guys as they rob a casino during a convention of Elvis impersonators, "Viva Las Vegas." Afterward, he and his partners (yes they dress as their idol) turn on each other in a major case of "Suspicious Minds." In an inspired casting move, Kurt Russell is one of the impersonators. In 1979, Goldie's "Teddy Bear" actually won an Emmy playing The King.
His on screen "Burning Love" partner is Courtney Cox-Arquette ("Monica" on "Friends"). Too bad their relationship is more "You're the Devil in Disguise" than "Love Me Tender". Cast also includes Christian Slater (excellent recently in "The Contender"), who has almost no dialogue until he is about to be shot, football player turned actor Howie Long (intriguing "gay subtext" with the Costner character) and David Arquette (long distance pitch-man and husband of Courtney). Thomas Haden Church and Kevin Pollak give the film's best performances providing comic relief as federal marshals hoping to send the thieves to "Jailhouse Rock." Bullets and bedlam serve as this guy flick's structural plot. It is loud, obnoxious, and violent - gratuitously so, which could leave sensitive moviegoers "All Shook Up" while action junkies specifically teen boys may feel they have found the "Promised Land."
The script is under-developed, the dialogue inane, and considering the Elvis motif, there are only three Presley songs on the soundtrack - a waste. In an attempt to "Don't Be Cruel", it could be said that this piece is attempting a lot of different things and spreading itself too thin. It could be a satire on greed as symbolized by Las Vegas maybe a tribute to Sam Peckinpah's "The Wild Bunch" or Steve McQueen's "The Getaway" even a send up of all things Elvis. That would imply extreme intelligence, however, which does not seem to be present here. Having said that, it must be remembered that all "criticism" be it of movies, books or any aspect of the ego illusion is a matter of perception. It is probably safe to say that the majority of "bodies" viewing "3000 Miles to Graceland" will "perceive" it as cruel and unusual punishment not "Fun in Acapulco" and leave the theatre feeling "Moody Blue". Not a must see, it gets 0.1 out of 5 smiley faces.
VIDEO PIX - "All the Pretty Horses"
Billy Bob Thornton, who won a Best Screenplay Oscar for "Sling Blade," directs "All the Pretty Horses." This horse opera was adapted from the popular Cormack McCarthy novel and stars Matt Damon ("The Talented Mr. Ripley", "Good Will Hunting") as a philosophical cowboy. After losing the family farm, our hero and his best buddy played by Henry Thomas (the little guy from "E.T." - the boy not the alien) set off to find ranch work and adventure (sometimes violent) in Mexico.
Rest of the cast includes luscious Penelope Cruz, Reuben Blades, and young but extremely talented Lucas Black ("Sling Blade", "Crazy in Alabama"). The performances are good. The film's cinematography is beautiful highlighting the cowboy's love of land and wide-open space. But overall the film is bland. Though a valiant attempt at translating an abstract concept - the cowboy way and all its mythic power - to film, Ted Tally's (wrote "Silence of the Lambs") script lacks emotional power and driving conflict, the meat of a great movie.
The piece might have worked better as a longer, hopefully deeper and more developed, TV mini-series. Moreover, the genre itself usually works better on TV, consider "Lonesome Dove." Westerns often seem outdated on the big screen these days where special effects, car chases, and teen comedies rule the box office. Not unsurprisingly, audiences did not flock to theaters for "All the Pretty Horses." This ode to the old west gets 1.5 out of 5 smiley faces.
VIDEO PIX - "Almost Famous"
Cameron Crowe's ("Jerry McGuire") semi-autobiographical "Almost Famous" revolves around his first job as a rock and roll reporter for "Rolling Stone." Newcomer Patrick Fugit excels as the 15 year old who goes on the road with a touring band, much to the chagrin and loving concern of his mother played by sternly serious yet funny Frances McDormand.
This movie is a coming of age story. More than that, however, it is a loving tribute to the 70's, from its free love way of thinking to its clothes, its "sensibility", and its "look", right down to the VW bus in the concert parking lot. It is also about music - not just the music of the 70's but music for music's sake before the record "business" took over. Great movies come from great scripts with focused plots and well-drawn characters, scripts that allow the audience to experience the story not just watch it. Usually this is accomplished through editing and re-editing until the filmmakers live and breathe each scene. Cameron Crowe did not have to edit. He lived it. Thus, by extension, (or projection - depending on the "voice" with which you are watching) he allows the audience to do the same.
Playing groupie, "Penny Lane", Kate Hudson (daughter of Goldie Hawn) will be a superstar. Fast becoming one of the best character actors in Hollywood, Philip Seymour Hoffman is a totally "uncool" music writer who mentors the teenager. Already getting Oscar buzz, "Almost Famous" is heart warming, fun, intelligent, and entertaining - a definite must see. It gets 4.2 out of 5 smiley faces.
"Along Came A Spider"
"Along Came A Spider" features Morgan Freeman as Detective "Alex Cross". When an exciting, opening action sequence results in the loss of his partner, guilt makes him withdraw from his job as a renowned forensic psychologist, but he is drawn back with a bang when diabolical "Gary Sonejy" kidnaps a Senator's daughter from a private school supposedly guarded like Fort Knox. Michael Wincott is suitably twisted as the kidnapper. Not in it for the money, he wants fame and glory along the lines of the Lindberg kidnapping case he is trying to recreate. Relative newcomer, Monica Potter ("Patch Adams", "Head Over Heels") is "Jezzie", a Secret Service agent who worms her way into the investigation. Also superb is Mike Boorem (Mel Gibson's daughter in "The Patriot"). Though kidnapped, this scrappy little girl is nobody's victim.
There are several ways to "critic"-ize this film: as a sequel to the 95 hit "Kiss The Girls", as a movie based on a popular book by James Patterson, and on its own merits. In each case, it must be remembered that any judgment is pure opinion not to mention "perception". Most mainline reviewers have panned this thriller as full of cliches and plot wholes while raving about Freeman's performance. What people especially critics often forget is that cliches are cliches precisely because they have an element of truth in them. Moreover, while it does have some plot problems, most films do and can still be entertaining - this one is.
Generally those who read a book then see the film enjoy the book more. I, on the other hand, usually prefer the movie. No exception here. Admittedly, I miss some of the characters and events from the book (for instance, the romance between "Cross" and "Jezzie"). Having said that, however, it must be remembered that whereas a book has thousands of words to tell its story, most movies are limited to 2 hours. Yes, it would probably be richer if more elements from the book were included. Moreover, it is not as creepy or well done as its predecessor. Still, on its own, "Along Came A Spider" is a riveting ride. If you are a fan of this particular genre, it is definitely a must see and gets 4.399 out of 5 smiley faces.
"Angel Eyes"
Jennifer Lopez is the only performer in history to open a movie and release a CD - both going number one - all in a single week. In "Angel Eyes", her new feature, she plays a touch Chicago cop haunted by a past of domestic abuse. J Lo is one of the few Hollywood beauties who could do the part and make it believable. "Sharon" also must deal with a near fatal shooting and the fear of death it arouses.
Everything is a matter of perception. Admittedly, I was disappointed by the casting of relative unknown Jim Caviezel ("Frequency", "Pay It Forward"). It seemed like an odd choice. Luckily, I was wrong. He is excellent and shares a tender yet passionate romantic chemistry with his costar. As a gentle, heroic figure who brings love to the "wounded" cop, he also brings a sense of mystery to the drama, a sense of suspense to the plot. There are "Sixth Sense" overtones here, and the ending is open - until, well, it ends.
For ACIM students, this script is not only intelligent, the dialogue witty, it also shows how "bodies" use the forgiveness process to heal their past in the present. "Angel Eyes" is an uplifting and entertaining must see, which gets 4.589 out of 5 smiley faces.
VIDEO PIX - "The Astronaut's Wife"
Although Johnny Depp gets top billing, Charlize Theron is the star of "The Astronaut's Wife." When the movie begins, her sister tells her, "Men are like parking spaces. All the good ones are taken. All the available ones are handicapped." But "you scored" with "Johnny Rocket Boy."
However, when her husband returns from a mission, things begin to change. His "supposedly" healthy partner dies. The man's wife mysteriously commits suicide. An increasingly "wired" NASA scientist, played nicely by Joe Morton, swears he has proof that something happened "up there." Meanwhile, "Jillian" begins to notice subtle differences in her "prince." After discovering she is pregnant, she knows she must get to the truth. In doing so, Theron is vulnerable yet strong, afraid yet courageous, sexy yet child-like, and intuitive and intelligent yet full of self doubt. Depp is also good but perhaps a bit "too subtle" in his performance. Blair Brown has a funny but small supporting role.
Occasionally, a film is not a huge hit in theaters for several reasons such as no big star to "open" the film, poor publicity campaign, or blockbusters glutting the marketplace. This suspenseful movie deserved a larger audience. Although not perfect, for instance, the script could have been more "fleshed out." Nevertheless, "The Astronaut's Wife" is a great bet on video - if only to stare at the sexy, beautiful, and talented Charlize Theron. Great ending, too - it gets 4.7 out of 5 smiley faces.
VIDEO PIX - "The Bachelor"
"Most opinions on art and theatre are merely forms of gossip." Stella Adler
"The Bachelor" is atrocious. Talented, young actor, Chris O'Donnell ("Fried Green Tomatoes," "Circle of Friends," "Batman and Robin") gives a lackluster performance as a commitment phobe who has forty-eight hours to get married so he can inherit his grandfather's $100 million fortune. Complicating matters, he must stay married for ten years to keep it.
The plot lacks focus, the direction is muddled, the dialogue inane, and the tone mean-spirited regarding women, romance, and especially marriage. For instance, at a wedding, the tossing of the bouquet is referred to as a "lottery toss" pinpointing the next couple to tie the knot, hence, the next male to become a "human sacrifice."
The saving grace of the piece is its star-studded cast (Ed Asner, Hal Holbrook, James Cromwell). Rene Zellweger ("Jerry McGuire") is effervescent as the potential bride. Peter Ustinov, as the grandfather, is hysterical, and there are surprising cameos by Mariah Carey and Brooke Shields. In all fairness, the movie gets better half way through, and the ending is nice. Nevertheless, "The Bachelor" gets only 0.9 out of 5 smiley faces.
"VIDEO PIX - Bedazzled"
Harold Ramis who co-starred in "Ghostbusters" and directed "Groundhog Day" also directs "Bedazzled," the remake of a 67 Dudley Moore comedy. In what might seem a surprising casting choice, model Elizabeth Hurley (former Hugh Grant main squeeze) stars as the sexiest Satan ever to hit movie screens. She has little acting experience but is a deliciously wicked devil with "offices in hell, purgatory, and Los Angeles." Playing against type, Hollywood hunk and talented actor, Brendan Fraser, is a computer geek with low self-esteem and no friends.
In this contemporary re-telling of the Faustian myth, beautiful devil grants hapless nerd seven wishes in exchange for his soul. Most of his wishes involve getting the woman of his dreams to notice him. The brilliant Larry Gelbart, writer of the TV show M.A.S.H., co-wrote the intelligent and witty script, one of the most creative aspects of which is its character development. Fraser's irritating people pleaser - through the ACTION of the story - is transformed to a "thoughtful," more self-assured man. As he grows, he realizes he need not change his surroundings to be happy, just his perception of those surroundings.
The opening and closing credits are exceptionally fresh, the soundtrack lively, and Fraser and Hurley are excellent. (Fraser even begins to look different as his character gains confidence.) Though some of the wish sequences are too long, "Bedazzled" is fun and entertaining. Our movie group loved it. It gets 3.1 out of 5 smiley faces.
VIDEO PIX - "Best in Show"
If you liked the big screen bomb that became a cult video hit, "Waiting for Guffman," you will probably like the similarly styled "Best in Show." Set at the fictional Mayflower Kennel Club Dog Show (Westminster under cover), it is a satire of pampered pooches and their eccentric owners, so eccentric they often take on the characteristics of their purebred canines. Shot as a semi-documentary, the script begins slowly and contains a lot of in-jokes but is often hilarious. Although it has no major plot structure, usually bad for a movie, it succeeds, nonetheless, as a slice-of-life, character driven piece, mainly because of its great cast. They not only chew on the scenery, they swallow it.
Christopher Guest (also directed) is so good he resembles his hound dog. The script co-author, Eugene Levy ("American Pie"), plays a man with two left feet - not metaphorically, literally, two left feet. Fred Willard is hilariously out-of-place as the event announcer. Picture Henny Youngman "calling" a funeral. Perhaps, the "best in show" is Michael McKean ("Spinal Tap"; "Lenny" on "Laverne and Shirley"). He is masterfully low-key as half of a gay couple, the other half, a "flaming queen." Other performers include Catherine O'Hara (SCTV), Ed Begley Jr., and Parker Posey ("queen of the independent film"). "Best in Show" is different and may not be everybody's cup of tea, but it deserves a look, getting 3 out of 5 smiley faces.
VIDEO PIX - "Still Breathing"
"There are two things I always wanted to believe in but didn't dare. One is that there is a man somewhere who was made just for me. The other is that I just might deserve him." So says the character played by Joanna Going in "Still Breathing." "Ros" is a con artist, who has not only given up on love but also on herself - because "believing doesn't make it true." Her total opposite, at least on the form level, is "Fletcher" played by Brendan Fraser. He is a free-spirited, metaphysical street performer, who comes from a long line of men who have visions of their "true love."
According to Marianne Williamson, "To be truly seen in all our innocence and glory is to be healed." This is the purpose of enchanted love, which is a "temple of the Holy Spirit where we are most quickly and most likely to be transformed by grace." It is this perception, which is at the heart of this beautiful and romantic film.
Setting, script, and situations are fresh. Going is good. Fraser is excellent. Also includes nice performances by Celeste Holm, Anna Magnuson, and Lou Rawls. "Still Breathing" is a spectacular must see on video and gets 5 out of 5 smiley faces.
VIDEO PIX - "Billy Elliott"
If you liked "The Full Monty," you will love "Billy Elliott." Talented newcomer and Oscar dark horse, Jamie Bell infuses the title character with charm, intelligence, and sweetness. Set in Northern England, the accent is occasionally hard to understand, but patient listeners will be well rewarded with a heartwarming and fresh story. The backdrop is an increasingly bitter coal miners' strike that brings out the worst in "Billy's" blue-collar brother and father. There are hard to watch scenes of violence here, but they are not gratuitous and overblown as in blockbuster action flicks. The toughness serves to show how far the dreamer comes to accomplish his dream.
Much to the dismay of his macho father, who does not want people to think his son is a "puff," the eleven year old finds that he resonates more with the ballet than with the boxing lessons he is taking to please his dad. In fact, he is a natural though he cannot explain why he wants to dance just that it makes him feel like he is "flying." It is also quite obvious that he channels his emotions especially the pain and anger surrounding his mother's death into dance, whereas, his brother and father channel their anger toward each other and the strike.
Family tension increases when "Billy" decides to train for the Royal Ballet School. Finally, however, father and brother realize that they want more for him than the dark desperation of the mines, and they support him. The cast is excellent especially the chain smoking dance instructor Julie Walters ("Educating Rita"; will be in the upcoming "Harry Potter and the Sorcerer's Stone"), who should be an Oscar nominee. "Billy Elliott" is touching, "thoughtful," and entertaining getting 4.398 out of 5 smiley faces.
VIDEO PIX - "Bounce"
"Our intimate love is our partner on a holy adventure. With this person, we are given the chance to move into the center of things. In the spiritual space of intimate connection, we have the power to heal and be healed."
-- Marianne Williamson
Former lovebirds and current friends, Ben Affleck ("Buddy") and Gwyneth Paltrow ("Abby") star in "Bounce," which is both a feel good movie and a double hanky tearjerker. During the holidays at a busy airport, Affleck's people pleasing ad man gives his ticket to a nice guy who wants to be home in time to sell Christmas trees with his son. When the plane crashes, "Buddy" has survivor's guilt, which also brings up previously repressed fears, and he ends up in alcoholic rehab. Afterward, as part of the twelve steps, he decides to make amends to "Abby," the widow of the man whom he feels died in his place. Thus begins the reluctant and, yes, "bouncy" road to love and forgiveness.
Cast includes Joe Morton, Natasha Henstridge ("Species"), Jennifer Grey ("Dirty Dancing"), Tony Goldwyn ("Ghost"), and Johnny Galecki, formerly of TV's "Roseanne." As a gay co-worker, Galecki steals every scene in which he takes part. According to Affleck, this is his best work to date. It is also arguably his most romantic. Similarly, Paltrow gives one of her funniest and most natural performances. Touching and tender, our movie group loved "Bounce," a must see getting 4.73 out of 5 smiley faces.
"Bridget Jones's Diary"
"Bridget Jones's Diary" is based on the best selling novel by Helen Fielding. Setting and sensibility are quite British, which is why fans and critics alike blasted the decision to cast American actress Renee Zellweger ("Nurse Betty", "Jerry Maguire") in the title role. Fortunately, producers stuck to their guns. She is spectacular and transcendent. Also excellent is Hugh Grant whose charm and authentic warmth shine through even though he plays a womanizing cad.
Our heroine is a 30 something "Every Woman" in search of the perfect body, a healthy lifestyle, a fulfilling job and, of course, Mr. Right. Whether this search is based on an ego sense of lack or is guided by the Holy Spirit only she and the Holy Spirit would know. Moviegoers are left to their perceptions.
Perhaps the biggest surprise in this box office hit is Colin Furth's ("The English Patient", "Shakespeare in Love") gruff yet romantic portrayal of a man who happens to like his childhood friend - also the woman of his happy dream - "just the way she is". Uplifting and entertaining, "Bridget Jones's Diary" is a film for and about adults (unusual in Hollywood these days), but it can be enjoyed by all ages. Witty, funny, intelligent definitely a must see and a great date movie, it gets 4.89 out of 5 smiley faces.
VIDEO PIX - "The Cell"
Visually representing the landscape of the mind was the challenge given Tarsem Singh, director of The Cell." In what seems a surprising casting choice, Jennifer Lopez is perfect as an intuitive, caring psychologist, who treats schizophrenic kids with an experimental therapy based on virtual reality, in essence, getting into the patient's mind.
Meanwhile... somewhere in the Midwest, FBI agents capture sadistic serial killer played disturbingly by Vincent D'Onofrio, who goes into a coma before revealing the location of his latest victim. Intense Vince Vaughn, a straight arrow detective, with a shadowy past, learns about Lopez and implores her to enter the madman's mind, a dangerous undertaking, considering she could be trapped there.
The images here are at times stark, at times beautiful, and often horrific, making you want to turn away, but unlike anything seen before in theaters, precisely why it is getting Oscar buzz. "The Cell" is a cross between "Seven" and "Silence of the Lambs" only more gruesome and twisted. It will disturb some and is definitely not for the squeamish. However, for fans of the thriller genre, it is a gripping must see and earns a 4.1 of 5 smiley faces.
VIDEO PIX - "Charlie's Angels"
Unless you live in another galaxy and are just visiting our planet, you know "Charlie's Angels" is based on the 70's TV show starring Kate Jackson, Jaclyn Smith, Farrah Fawcett (and her hair), and Cheryl Ladd among others. While it has a 70's feel, this is not your parents' "Charlie's Angels" and is not so much a remake as a tribute. New angels include co-producer Drew Barrymore, Hollywood veteran at the ripe old age of 25. She was the driving force behind getting the picture made. Cameron Diaz is the clutsiest and sexiest of crime fighters who never fails to light up the screen. Fans of "Ally McBeal" will definitely be pleased with Lucy Liu's "Ling like" over achiever. In one of the most energized scenes, she is decked out in black leather complete with whip marching down a corporate corridor to the tune of "Barracuda."
The angels may be different but the voice of Charlie is still John Forsythe ("Blake Carrington" on "Dynasty"). Cast also includes Bill Murray, Matt LeBlanc from "Friends", Sam Rockwell, Tom Green (Drew's fiance) and super villains Tim Curry, Crispin Glover, and bodacious babe Kelly Lynch. Though a bit cheesy at times with some unbelievable plot twists, this movie is also hip, happening, and entertaining - in short the ultimate in cool.
Speaking of plot, surprisingly, there is one, and it holds up well and ties up nicely at the end. Although the movie is more fun if you are familiar with the TV show, it succeeds on its own. In fact the action sequences tend to be more interesting and creative than many of the male genre. See it soon. The sequel will be out before you know it. "Charlie's Angels" gets 4.79 out of 5 smiley faces.
VIDEO PIX - "The Contender"
"The Contender" is a riveting, suspenseful, and entertaining political potboiler. Rod Lurie wrote the well crafted, intricately plotted script, specifically, for Joan Allen. As the first female vice presidential nominee, she is certain to be up for an Academy Award. Gary Oldman is deliciously villainous playing a congressman who will stop at nothing - including dredging up a college sex scandal - to thwart her confirmation in favor of his own candidate.
In her corner, however, is Jeff Bridges as the president of the United States, brilliant but food obsessed. Bridges gives one of his best performances since his Oscar nominated turn in "Starman." He also does the male vocal on the movie's opening theme, a rocking remake of the old Johnny Cash song, "Ring of Fire," an appropriate metaphor for the entire film. Barely recognizable without his cowboy hat and mustache, Sam Elliot is the president's Chief of Staff, while Christian Slater is a na&#iuml;ve, but honest, representative. Both are very good as is the whole cast.
This film does not always flatter the American political process, especially in the beginning, but the ending is rousing, idealistic, and truly patriotic. Jimmy Stewart would be proud. Our movie group loved it. "The Contender" is a must see. It gets 5 out of 5 smiley faces.
"Crouching Tiger, Hidden Dragon"
Ang Lee directs with immense depth and sensitivity. His films include "Sense and Sensibility", "The Ice Storm" and currently "Crouching Tiger, Hidden Dragon", which won him a Golden Globe. This Oscar nominee for Best Picture is not your normal "Bruce Lee type" karate movie. It is true that action junkies will be thrilled, but even non-adventure fans will appreciate a world where Zen warriors fly through trees, vault over rooftops and walk on water. The martial arts sequences were "choreographed" by the man responsible for "The Matrix" along with a member of the Peking Ballet. In essence, they are dance scenes, and it shows.
The romantic saga is set in feudal Imperial China when faith in the metaphysical and the spiritual was not a belief but an assumption and where Biblical style miracles were not only credible but also expected. The cinematography and settings are luscious and beautiful taking audiences, especially Westerners, to places they have never been before. Though the plotting is sometimes slow, the epic story is moving and cloaked in mysticism. The mythological script is structured around the theft of a mighty and magical sword called the "Green Dragon" and the search for a dastardly villain, a woman. Lee usually portrays strong women in his films; this one is no exception.
In Chinese astrology the "tiger" is autonomous and free spirited while the dragon is repressed and control driven, a good description of the female leads. Michelle Yeoh (Bond girl in "Tomorrow Never Dies") is the highly skilled warrior heroine who must retrieve the sword along with fellow warrior played by Chow Yun-Fat ("Anna and the King"). Both are huge stars in Hong Kong. This fantasy is a foreign film, but the subtitles are very well done and do not detract from the splendid storytelling. "Crouching Tiger, Hidden Dragon" is about duty and honor, obligation vs. free will, and unrequited love. It gets 3.3999 out of 5 smiley faces.
VIDEO PIX - "Dr. T and the Women"
Robert Altman directs "Dr. T and the Women" starring Richard Gere, who oozes "new male" sensitivity. The good doctor is the most popular gynecologist in Dallas, not just because Gere was voted the sexiest man on the planet by "People" magazine, but because "Dr. T" knows how to appreciate women as the "sacred objects" they are.
Generally, critics like this film, while most audiences do not. Why? The central plot lacks focus and, therefore, conflict - the stuff of which great movies are made. In fact, the lesbian subplot is often more interesting than the main plot (though I must admit bias here). The biggest problem: it is hard to tell what the movie is about and what its themes are. On the surface, it could be a celebration of women; however, most of the women presented, though beautiful and well dressed, tend to be a bit shallow - on the form level, anyway. It could be saying that the "knight in shining armor" myth is, indeed, just that, a myth as symbolized by the fact that, though he totally takes care of and worships his wife (played ethereally by Farrah Fawcet), she is so unfulfilled she ends up having a nervous breakdown. Likewise, the only woman he wants is the one who does not want to be totally taken care of.
Cast includes nice performances by Helen Hunt, Shelley Long, Live Tyler, Kate Hudson, and especially Laura Dern as a ditzy alcoholic. "Dr. T and the Women" has its entertaining moments and can be appreciated, especially by Altman and Gere fans. But it is not a must see. It gets 1.9 out of 5 smiley faces.
"Duets"
"Duets" is a combination "road" film and "buddy" movie. The plot meanders in the beginning, but the common thread turns out to be the desire to get to a karaoke contest and its $5000 prize. The ensemble cast includes rocker Hughey Lewis as Gwyneth's ne'er do well father, who had never seen his grown daughter until arriving at her mother's funeral. This uneasy "duet" is formed when spacey daughter follows disgruntled dad.
Paul Giammatti is sometimes brilliant, sometimes over the top, as a traveling salesman, who trades briefcase and frequent flyer miles for amphetamines and an earring. He picks up hitchhiker Andre Braugher, who is trading prison blues for a life on the outside. Maria Bello's sexy, tough as nails karaoke hustler would make Jerry Falwell blush. She "duets" with Scott Speedman, from TV's "Felicity," whose sweetness and spiritual perception of goodness gives her the courage to connect not only with him but also with herself.
In the end, the karaoke contest is almost an afterthought. It is never even revealed who actually wins. What is clear is that the real prize is the sense of connection and friendship formed by each "duet" on their road to each other and to themselves. Audiences expecting to see a Gwyneth Paltrow star vehicle or a blockbuster will be disappointed. However, if you are looking for a character driven film with an "independent" sensibility, "Duets" will please, entertain, and make you think about the world in which you live and the "duets" you make. "Duets" gets 2.99 out of 5 smiley faces.
VIDEO PIX - "End of Days"
Many theologians believe that an intense experience of mystery is the ultimate religious experience. It is this mystery that permeates every facet of "End of Days" down to its atmospheric use of light and shadow. The setting is a few days before New Year's, the year 2000, with all its end of the world imagery. As the biblical story goes, every thousand years Satan is loosed upon the earth. If he successfully mates, the world would end; Satan's reign of evil would begin.
Though stiff at times, Arnold Schwarzeneggar is surprisingly effective as a former cop, who has lost all faith and hope after the murder of his wife and daughter. "Seemingly" by accident, he gets caught up in finding a mystery woman involved in an attempted murder. He is not the only one looking for her so is the Catholic Church, good guys and bad guys. Likewise, Gabriel Byrne, a very suave devil, is after her for his own reasons. It is a symptom of our Victorian upbringing as a nation, that sex is associated with evil and darkness instead of love and light.
On the surface, "End of Days" is a supernatural thriller. But at its heart is the basic hero myth as presented by Joseph Campbell. Schwarzeneggar's suicidal character has lost everything. Then he begins a journey, whereupon he not only "remembers" who he is and saves his soul, but in true Hollywood fashion, he saves the girl and the world at the same time. "End of Days" is not the best movie ever made. But it is a worthwhile video pick, also starring Rod Steiger and wry comic relief Kevin Pollack.
"The Family Man"
"The Family Man" feels like "A Christmas Carol" wrapped around "It's A Wonderful Life" with a dash of "Wall Street" (Michael Douglas's ode to greed) thrown in for good measure. Yet, this romantic comedy is totally different. Nicholas Cage excels as a man whose definition of success has little to do with love or family and more to do with the perfect Armani suit, the art of the deal, and a different woman every night.
After encountering Don Cheadle, supposedly a convenience store robber but really a most unlikely angel, he gets a second chance to have the life he gave up 13 years ago when he left the woman he loved for an internship in London. You might say in A Course in Miracles terms, he gets the chance to choose again, the chance for a miracle.
On Christmas morning, he wakes up in a parallel universe of sorts. No longer a corporate president and playboy driving a Porsche and dining in chic New York restaurants, he is now - aghast - a salesman at Ed's Tires driving a minivan and scarfing pizza at the mall. Moreover, he is married to the beautiful, funny, and intelligent Tea Leoni (David Duchovny's real life wife), and they have two kids.
Needless to say, he experiences intense fear and deep culture shock. As his character begins to grow, however, his perception begins to change, and the love he never really lost 13 years ago becomes more important than ever. Destined to be a holiday classic, this feel good movie is an inspirational and enlightening must see. Entertaining and well crafted, "The Family Man" gets 4.79 out of 5 smiley faces.
VIDEO PIX - "Finding Forrester"
"Bond. James Bond." No, Sean Connery is not playing a kindler, gentler, scruffier looking "007." He currently stars in the Gus Van Sant film "Finding Forrester" as a brilliant but reclusive agoraphobic whose first and only novel won the Pulitzer. As the story develops, we learn why his ego fears keep him separate from his brothers and sisters on the planet and likewise keep him from fulfilling his dream of putting pen to paper.
Connery is more charming than ever and worthy of Oscar consideration. As one of the movie's producers, he also wisely approved the casting of young Robert Brown as his protege. Having never acted before, Brown auditioned as an extra hoping to make enough money to pay his cell phone bill. Much to his dismay, he got the part at which he excels. "Jamal" gains acceptance in his Bronx neighborhood - even later at a mostly white prep school - because of his skill on the basketball court. Through his evolving friendship with "William", however, he releases enough fear to follow his real dream, a love of the written word. In A Course in Miracles terms, the two develop a holy relationship which allows each to "remember" who he is and who he wants to be.
Cast includes Oscar winners, the superbly villainous, F. Murray Abraham ("Amadeus") and Anna Paquin ("The Piano" and recently "X-Men"). Matt Damon has a cameo. Also excellent is wrapper Busta Rhymez, funny and surprisingly touching. Intelligent. Inspiring. Uplifting. This describes "Finding Forrester", a must see getting 4.799 out of 5 smiley faces.
VIDEO PIX - "Galaxy Quest"
Sigourney Weaver and "Home Improvement's" Tim Allen star in "Galaxy Quest," a funny spoof of the sci-fi space genre. In particular, it lovingly "sends up" the "Star Trek" franchise and its faithful followers, "trekkies."
While the special effects are not "Star Wars" caliber, the script is witty and intelligent. The humor is good-natured, and the themes involve love and respect for self and all planetary brothers and sisters. The entire cast is excellent especially Shakespearean -trained Alan Rickman, playing a very droll "Spock"-like character. Though it did not send the box office into orbit, "Galaxy Quest" is fun and entertaining with a sweet sensibility, definitely a worthwhile video pick.
"The Gift"
Billy Bob Thornton is best known for his Oscar nominated role in "Sling Blade" or perhaps a costarring role in John Ritter's sitcom "Hearts Afire" or even for his tabloid marriage to much younger beauty Angelina Jolie. What is possibly less well known is that he co-wrote "Sling Blade" (Academy Award nominee for Best Screenplay). He also co-wrote "The Gift", loosely based on his mother. The title refers to the lead character's psychic ability and how it affects not only her life but also the community in which she lives.
Lovely Australian Cate Blanchett (Oscar nominee for "Elizabeth", "Talented Mr. Ripley", "Pushing Tin") is rapidly becoming a female De Niro as she effortlessly assumes the identity of every character she plays - in this case a Southern widow raising three children. This film is a mixture of genres: drama, gothic horror, suspense thriller, and whodunit, not to mention the eye of newt thrown in for good measure. Local police, though non-believers, eventually come to "Annie" for help in the disappearance of local rich girl turned town tramp.
Costars include Hilary Swank (Oscar winner for "Boys Don't Cry") and Keanu Reeves. In a different role for him, he is menacing as an abusive husband. Greg Kinear (E's "Talk Soup", Oscar nominee for Jack Nicholson's "As Good As It Gets") seems to be the weak link early in the story but gets better as the film progresses. Giovanni Ribisi is wound tighter than a drum as a schizophrenic. Though his performance is occasionally over the top, it makes the final scenes all the more fulfilling. There is some violence and a few somber moments, but the script and performances are excellent and the uplifting ending is inspiring. Directed by Sam Raimi (TV projects including "Xena Warrior Princess" and "Hercules: the Legendary Journey") "The Gift" gets 3.689 out of 5 smiley faces.
VIDEO PIX - "Gladiator"
Set over 200 years before Christ, "Gladiator" is an Ancient Roman epic directed by Ridley Scott, who is well known and respected for creating unique film worlds ("Bladerunner", "Alien", "Thelma and Louise"). Golden Globe nominee Russell Crowe oozes dignity and masculinity as a general bound by duty, "strength and honor." Although he wishes for nothing more than to return home and be with his wife and son, "Maximus" promises Emperor "Marcus Aurelius" that he will take control and shepherd Rome until she can make the transition from dictatorship to Republic once again.
The plot thickens when the Emperor's son "Commodus" kills his father and assumes power. The conflict between the two very different men is at the heart of this story, which is often extremely violent and gory with long tedious sword and battle scenes, sure to please most action fans but a bit boring for some. Crowe's performance is excellent. He seethes with charisma and is reminiscent of a young Richard Burton especially in "Antony and Cleopatra". Joaquin Phoenix as "Commodus" is at once bloodthirsty and vulnerable, twisted and pitiable - all the while mesmerizing.
The mostly computer generated landscape is a technical wonder - most notably the Coliseum. But the spectacle is not as amazing on video as on the big screen. A probable Oscar contender, "Gladiator" gets 3.5 out of 5 smiley faces.
"Hannibal"
Anthony Hopkins is back for seconds reprising his Academy Award winning role in "Hannibal." His performance is mesmerizing as he chews on the scenery, no pun intended. Also excellent is a beefed up Julianne Moore ("Magnolia", "Boogie Nights", "The End of the Affair") who takes over for Jodie Foster as Agent "Starling." In another change, Ridley Scott ("Gladiator", "Alien") replaces "Silence of the Lambs" director Jonathan Demme. Scott creates a very atmospheric feel during scenes shot in Italy, but once the action moves to the states, the look is a bit more mundane. There are recurring motifs from the original such as Clarice's battle against sexism in the F.B.I. and "Lecter's" appreciation of the finer things like music; the film's score adds to the eerie effect.
Ten years have passed and the good doctor is ready to "return to public life." To do so, he must deal with his only surviving victim "Mason Verger", a rich man who wants nothing more than to capture his former psychiatrist - everyone should have a goal - and feed him slowly and painfully to ravenous pigs. Needless to say, the makeup job here is immense. Gary Oldman ("The Contender", "Murder in the First", "Lost in Space") is unrecognizable, and his dialogue crackles with black humor. To be expected from the subject matter and the Thomas Harris bestseller on which the script is based, this movie is extremely violent and bloody, but much more so than its predecessor, which was more of a cat and mouse psychological thriller.
The gore fest would have perhaps been scarier had more been left to the imagination. Similarly, fewer such scenes could have been utilized to create more startling sequences. In fact, with a lesser cast, the piece would probably be little more than a 'B' slasher movie. Despite its gruesome nature, however, what this film is really about is the interplay between "Lecter" and "Clarice". Is there relationship father/daughter? Is it romantic? Teacher/student? "Special love" or "special hate"? Could the answer be found in their well-done final showdown? Yes, "Hannibal" could have been much better. Nonetheless, it is a must see for fans of the original and gets 3.222 out of 5 smiley faces.
VIDEO PIX - "Happy, TX"
"Happy, TX" is a quirky, independent film that drew critical praise but failed to ignite box office fires. It deserves a wide audience on video. Steve Zahn ("You've Got Mail") and Jeremy Northam star as petty criminals who escape from a chain gang not through their sheer brilliance, however, but through dumb luck. After purloining a Winnebago, they are stopped by small town sheriff, sweet performance by "Fargo's" William H. Macy. Come to find out, they have been mistaken for the owners of the Winnebago, who just happen to be gay beauty pageant planners hired to plan the "Little Miss Fresh Squeezed Pageant" for little girls.
What ensues is an intelligent farce - not only must they pretend to be a couple but then a couple that breaks up, not to mention the fact that they know nothing about planning beauty pageants or little girls. Tension heightens when the nice sheriff falls for one of the cons. The con then falls for the local banker, Ally Walker (TV's first "Profiler"), an additional complication since he has set his sights on robbing her bank. The plot further thickens when fellow escapee a not so nice murderer shows up threatening to blow their cover and wreak havoc on a town for which they have grown to care.
Jeremy Northam is a surprise casting choice for this comedy considering he is best known for British dramas and/or period pieces such as "An Ideal Husband" and "Amistad," but he is very good as is Zahn. Rest of the cast includes Ron Perlman (TV's "Beauty and the Beast"), Paul Dooley, and Ileana Douglas. Besides being very funny, this popcorn flick has nice underlying themes including tolerance and friendship. "Happy, TX" gets 4.692 out of 5 smiley faces.
"Heartbreakers"
The reason to see "Heartbreakers" is Sigourney Weaver's toure de force comedic performance - not to mention the fact that she is still drop dead gorgeous at age 51. "Aliens" "Ripley" never looked so good. She and the very talented and likeable Jennifer Love Hewitt ("Party of Five", "I Still Know What You Did Last Summer", "The Audrey Hepburn Story") play mother/daughter con artists who get wealthy marks to the altar then take them for a big divorce settlement.
Ray Liotta ("Goodfellas", "Copland", "Hannibal") and Gene Hackman costar. Both are excellent and totally different than in their better known, highly charged dramatic roles. Hackman is especially hysterical as a tobacco tycoon who lives to sell and smoke cigarettes as evidenced by his constant cough and smoke colored teeth. Tobacco companies definitely take a satiric hit here.
Though slow at times and a little too long, the script is intelligent and usually funny. While some may be disturbed by the "special hate" relationship between mother and daughter early in the film, in the words of Shakespeare, "All's Well That End's Well." The comedy of "Heartbreakers" is often black, to say the least, and therefore may not appeal to everyone, but on the whole it is an amusing day at the movies getting it 2.89 out of 5 smiley faces.
"The Knight's Tale"
a·nach·ro·nism - One that is out of its proper or chronological order, especially a person or practice that belongs to an earlier time: "A new age had plainly dawned, an age that made the institution of a segregated picnic seem an anachronism" Webster's Dictionary
Heath Ledger co-starred as Mel Gibson's eldest in "The Patriot". Now, it is his turn to take the lead in "A Knight's Tale." The cast is mostly young and unknown except for Christopher Cazenove ("Dynasty") and Mark Addy ("The Full Monty", "The Flintstones in Viva Rock Vegas"). They work well together and appear to have fun, which spills over to movie audiences. This medieval fable is the story of a peasant who as a little boy dreams of "changing his stars", for he wants to be a knight, an honor granted only to nobility. As a young squire, he gets his chance by assuming his dead master's identity.
Can you say anachronism? Not to mention spell it? This medieval adventure flick would probably be mediocre were it not for its contemporary sensibility - from modern clothes and feminist situations to witty banter and especially music. There is something fresh and fun about watching a joust where the crowd does the wave to "We Will Rock You" and being at a king's ball where the lovers dance to David Bowie. Another nice touch is plopping a hilarious Geoffrey Chaucer, "real" author of the Canterbury Tales, into the fictional mix. Aha, thus the film's title. "A Knight's Tale" is an entertaining and intelligent must see getting it 4.59 out of 5 smiley faces.
"Legally Blonde"
Nashville's own Reese Witherspoon exudes charisma and lights up the screen in "Legally Blonde" ("like" her signature color is, "like" after all, pink). Preppy and popular "Elle Woods", sorority princess and mother of cute-as-pie chihuahua "Bruiser Woods", dreams of marrying "Warner Huntington III." Alas, he dumps her before heading off to Harvard Law School. To become a senator by the age of 30, he decides he needs someone serious, "a Jackie not a Marilyn."
After weeks of chocolate and soap operas, the former homecoming queen has an epiphany. The way to win back the man she loves is to become a "serious" law student. Written specifically with Witherspoon ("Election") in mind, the script is intelligent, witty and well plotted. The cast is excellent and includes Selma Blair ("Cruel Intentions"), Luke Wilson ("Home Fries"), Victor Garber ("First Wives Club"), Holland Taylor ("The Practice") and Jennifer Coolidge ("Best in Show").
On the surface, this sassy satire seems to be just fun fluff with a sweet sensibility. Underneath, however, is the stuff of which myths are made. "Elle" is on a journey of higher awareness and self-discovery. According to Joseph Campbell, the end of the hero's journey is not self-aggrandizement but the wisdom and power to serve others - which is what happens to "Elle" by the film's last scene. Even better than its cute trailers, "Legally Blonde" leaves audiences laughing out loud. A feel good must see it gets 5 out of 5 smiley faces.
VIDEO PIX - "The Legend of Bagger Vance"
"The Legend of Bagger Vance" is Robert Redford's directorial attempt to bring Steven Pressfield's mythic book to the big screen. Matt Damon stars as "Rannulph Junuh" a junior golfer on his way to becoming one of the best until going off to World War I. After returning home a broken man, he loses himself in a bottle and ignores his fiance. Set during the Depression in Savannah, the plot revolves around a golf exhibition pitting the two best players in the world ("Walter Hagen" and "Bobby Jones") against each other with hometown boy, "Junuh" thrown in for good measure. However, the ten year old narrator (who grows up to be Jack Lemmon in a nice cameo) must convince "Junuh" to play, since he has lost not only his confidence but also "his swing."
Delicious as the former fiance, sexy Charlize Theron gives a funny, feisty performance which energizes the film until she is relegated to mere bit player after ACT I. Bruce McGill ("Hagen") and Redford look-alike Joel Gretsch ("Jones") are excellent as is the whole cast. But, the heart and soul of this film - not to mention its "spirit" - is Will Smith. In the title role, he gives a truly authentic and wondrous performance as he mixes Eastern philosophy, inner peace, and golf. Under his patient guidance, "Junuh" triumphs over his dark night of the soul to regain his spiritual center as well as his swing.
As one might expect, a movie using golf as a metaphor for life is occasionally slow. Further, the dialogue is often flowery, and the tension within most scenes minimal, which does not always give compelling force to the mythic themes. Still, on the whole, "The Legend of Bagger Vance" is entertaining, fun, and uplifting getting 3.8 out of 5 smiley faces. Our movie group loved it.
"Lara Croft: Tomb Raider"
Angelina Jolie kicks butt as a female heroine. Based on a hugely popular videogame, "Lara Croft: Tomb Raider" did huge box office its first weekend proving - as with "Charlie's Angels" - that a woman can "open" an action movie. Intelligent, beautiful and vulnerable, the Oscar winning ("Girl Interrupted") actress is perfect as the English aristocrat born into wealth who examines remnants of lost civilizations, (a la "Indiana Jones").
Photojournalist by day and globe trotting archeologist by night, the adventure seeker is in search of a key that could control time (which as ACIM students know is really an illusion, so what is the point). This metaphysical plot is a bit murky but involves a band of bad guys called Illuminata and the alignment of planets which happens only every 5000 years. There are amazing stunts, cool special effects and exciting action sequences. The script is sometimes confusing but generally intelligent with humorous touches and mystical undertones. Locations and settings are varied and gorgeous: Cambodia, London, Thailand, Venice, Iceland.
Jolie's father, Jon Voigt ("Coming Home", "Midnight Cowboy") plays "Lara's" dad who disappeared when she was a little girl. Real life father/daughter were not close early in Jolie's life. She grew up in a divorced home. Here, "Lara" gets to go back in time getting to know her father. In interviews, Voight has discussed how emotional these scenes were - a good example of "healing" the past in the present moment. Fantastical, fun and entertaining. Rumor has it, a sequel is already in the works. "Lara Croft: Tomb Raider" gets 4.3 out of 5 smiley faces.
VIDEO PIX - "Lost Souls"
Winona Ryder stars in "Lost Souls." At times, this film is satisfyingly eerie and mysteriously atmospheric due to its first time director, Janusz Kaminski. He is the brilliant cinematographer of such films as "Saving Private Ryan" and "Schindler's List."
Ryder makes the best of her role as a teacher for the Catholic Church, who takes part in exorcisms, not only because she lived through one but also because she believes in the battle between good and evil. John Hurt is good as a priest, but totally underused; he is in a coma for most of the movie. They come to believe that Satan will take human form as a man. "You are that man," she tells Ben Chaplin's character. Not surprisingly, he must be convinced.
Though it has some "grip your seat" scary moments, the plot is riddled with holes, the script lacks cohesiveness, and the themes are underdeveloped. Moreover, the ending leaves you open mouthed wondering, "is this it." "Lost Souls" is a cross between "The "Exorcist" and "End of Days." Both films are much, much better. Not a must see. It gets 2.3 out of 5 smiley faces.
VIDEO PIX - "Meet the Parents"
According to Woody Allen "acting funny is the worst thing you can do." Like drama, comedy depends on "real people in real situations." Yes, "Meet the Parents" contains funny one liners, sight gags and physical humor. In that way, it is similar to "There's Something about Mary," which some may find a boring or silly. But both films succeed because of the classic comedy formula: characters with flaws and idiosyncrasies, who find themselves in situations that erupt over their heads and out of their hands.
Ben Stiller stars in one of his patented "fish-out-of-water" roles as a nice guy willing to do anything to please his girlfriend's father, so he can ask permission to marry her. This is a funny premise because the audience can relate; the well done "play" according to Aristotle works when the viewer can experience a catharsis. Yet, "Meet the Parents" is even funnier than its premise because the director made a brilliant casting decision. Robert De Niro is a great actor, but when he appears on screen as the father, movie -goers not only see a good performance, they also remember "Travis Bickel" from "Taxi Driver" or the mobster in "Goodfellas." Who in their right mind would not be afraid of this potential father-in-law? Audience perception of De Niro ups the stakes and makes the situations even funnier.
While dramas are often considered a success when they garner Oscar acclaim, comedies are rarely appreciated in this way. A comedy is a success, quite simply, if it makes people laugh. This one does. Cast also includes beautiful newcomer Teri Polo and Blythe Danner, Gwyneth Paltrow's mom. The movie group gave it thumbs up.
VIDEO PIX - "Men of Honor"
Cuba Gooding, Jr., stars in the inspirational "Men of Honor" as Carl Brashears the first African American naval diver. This determination overcomes adversity true story co-stars the amazing Robert De Niro in another chameleon-like performance playing the hero's commanding officer and chief nemesis. A fulfilling aspect of this film for A COURSE IN MIRACLES students is the way it portrays how hero and antagonist go from a "special hate" relationship to a holy one.
We see in the opening scenes how young "Carl" learns from his courageous sharecropper father, played with immense integrity by Carl Lumbly from "Cagney & Lacey," the importance of never giving up. The young man's never say die attitude gets him through everything from lack of education to cruel racism in the navy, particularly when he enlisted in 1948 - even extending to the loss of his leg many years later. Settings have an historical feel as the compelling plot progresses from sharecroppers to "separate but equal" (supposedly) when "Negroes" in the navy had separate quarters through the Civil Rights Movement when "Brashear" becomes known more for being just a hero than a black hero.
Excellent cast includes Charlize Theron (too few scenes), Michael Rappaport, David Keith (UT Vol fan), and Powers Boothe ("Guyana Tragedy: The Story of Jim Jones"). Our movie group loved "Men of Honor." With big themes and big emotions, it is an uplifting and entertaining must see getting 4.398 out of 5 smiley faces.
"The Mexican"
"America's Sweetheart" Julia Roberts and the "Sexiest Man in Hollywood" Brad Pitt finally costar in "The Mexican." The title "character" is an antique gun, which according to various legends is cursed - meaning that anyone who fires it dies of a broken heart, cardiac arrest, or tragic misfire. Hyper "Jerry", a loveable and none too bright klutz, is sent by his mob bosses to retrieve the valuable piece from across the border and transport it back to the States. This does not overly please his self-help fanatic girl friend since she wants him to break his mob ties as well as keep his promise to take her to Las Vegas. Julia is not afraid to be a bit "grating" at times as she often overdoes the whiny self expression bit - yet all the while lighting up the screen with that smile. Brad is good at physical shtick and often very funny.
In fact, their performances, unlike any they have given before, are excellent. In promotional interviews the long time friends say they have wanted to work together for years. Unfortunately, the movie they finally chose is, as a whole, mediocre. It is too long. The plot is convoluted and often hard to follow. The violence is jarring and over done. The best thing about the film is its star power. The worst thing about the film is the two have very few scenes together. On the other hand, fans of independent movies may appreciate the filmmaker's attempt to do something different and tell an intriguing story even if they fail. In addition, one of the more interesting aspects of the piece is its technique of using a film projector to convey flashbacks.
Gene Hackman has a very small and not totally uninteresting cameo. There are also nice supporting performances by an extremely moody dog as well as James Gandolfini (HBO's "The Sopranos"). He is superb as a hit man - a gay hit man at that - who holds Julia hostage. Their conversation is intelligent, and their relationship interesting and touching - although the ending, tragically, totally diminishes it. Those familiar with A Course in Miracles may appreciate one of the movie's best lines: as "Jerry" and "Sam" argue she says "Oh, now you blame shift", which is projection in a nutshell. Generally disappointing, "The Mexican" is not a must see and gets only 2 out of 5 smiley faces.
VIDEO PIX - "Miss Congeniality"
Sandra Bullock stars in and produces "Miss Congeniality." In the opening scene, we learn that even as a little girl "Gracie Hart" was a tomboyish loner who beat up bullies on the elementary school playground. All grown up, she becomes a ball-busting, clumsy but intelligent, FBI agent on the trail of "The Citizen," a murdering terrorist, who has threatened to disrupt the "Miss United States Beauty Pageant." Although eager to prove herself, she is not so eager to go undercover as one of the contestants. Nor are pageant sponsors, Candice Bergen and William Shatner, eager to have the rather uncouth and unkempt, not to mention un lady like, personality hazard in their midst.
Bergen shows murderously hilarious hints of "Murphy Brown" while Shatner, far from "Captain Kirk," is not afraid to be embarrassingly funny. They do not believe in magic or miracles, nonetheless, they send "Hart" to Michael Caine, a consultant, who attempts to teach her poise, manners, and beauty pageant etiquette while washing, waxing, and "making-over" every pore of her body. Her sidekick is Benjamin Bratt formerly of "Law and Order" and currently Julia Roberts' main squeeze. His character may be a womanizer, but the man is not stupid as he eventually falls for his partner.
The relationship between "Gracie" and Caine's consultant, which has a "Pygmalion" quality also has a touching father/daughter feel. Moreover, friendship is an important theme as the loner begins to care for her fellow contestants. In some ways, it is the first time in her life that she really fits. Not perfect, for instance, the script could have been more focused. Yet, this "high concept" movie is funny and entertaining with heart. At that heart is Sandra Bullock. She is the epitome of charm, and the film works because she makes audiences fall in love with her. A sweet-spirited must see for the whole family, "Miss Congeniality" gets 4.698 out of 5 smiley faces.
VIDEO PIX - "The Ninth Gate"
"The devil is a frightening concept because he seems to be extremely powerful and extremely active... Yet he attracts men rather than repels them, and they are willing to sell him their souls in return for gifts of no real worth. This makes absolutely no sense." ACIM
Johnny Depp plays a rare book dealer in "The Ninth Gate." This supernatural thriller opens in New York, though obviously the actual location shoot took place in Europe probably because director Roman Polanski ("Chinatown," "Tess") still has criminal sex charges hanging over his head in the U.S.
Depp and his fake gray sideburns are out of place in this movie, which revolves around a series of ancient books that may or may not have been authored by, you guessed it, the devil himself. Moreover, so the plot goes, whoever solves the riddle inherent in these books will become all-powerful and immortal. On the whole, "The Ninth Gate" is mediocre. Having said this, however, the atmospheric piece has enough mystery and intrigue to keep you watching until the end - especially if you are a fan of this particular genre. It gets 1.75 out of 5 smiley faces.
"O Brother, Where Art Thou?"
"Raising Arizona", "Barton Fink", "The Big Lebowski." If you enjoyed these films, you may appreciate "O Brother, Where Art Thou?" - or maybe not - since each is different. What they have in common is directing/producing maestros the Coen brothers and their creative bent which can be weird, strange and, well, bent. Their newest concoction is in essence an adaptation of Homers Odyssey, albeit, with many original touches. It features John Turturro, Tim Blake Nelson, Charles Durning, Holly Hunter and John Goodman ("Roseanne") as the "Cyclops."
Undeniably, however, the movie's "star" is charismatic "E.R." heartthrob turned movie star George Clooney playing "Ulysses Everett McGill", a fast talker with the "ability for abstract thought." He and fellow prison escapees, looking at various times like Mel Blanc cartoon characters or the Three Stooges, set off on a journey - an odyssey - if you will, in search of treasure, wife and Dapper Dan, the hair obsessed Clooney's favorite hair goo. The misadventures of the bumbling threesome are often surreal, ethereal and supernatural. Digging deeper, the tall tales are also mythologically drenched in Southern depression era history and folklore. For instance, one episode deals with the KKK while another centers on a blues man who supposedly sold his soul to the devil.
The most entertaining and distinguishing aspect of the film is its American roots music, recorded in Nashville, which serves not only as soundtrack and score but also thematic heart. In actuality, the music is the film because the Coens picked the music then crafted the film around it. While some may find "O Brother, Where Art Thou?" silly. Others will find it creative, fun and fresh. This modern day epic gets 3.6 out of 5 smiley faces.
"Pay It Forward"
On the first day of school every year, "Mr. Simonette," a dedicated teacher makes the same extra credit assignment - TO CHANGE THE WORLD. Though few students give it much thought, one seventh grader takes it "to heart." Haley Joel Osment, of "The Sixth Sense," plays a 12 year-old from an alcoholic home, who is searching for meaning in a world that "sucks." He decides to help three people and then suggests to them that instead of paying him back (the golden rule) they "PAY IT FORWARD" (extension).
"Trevor" feels he is accomplishing little, not knowing that his idea is becoming a "movement." After becoming someone's good deed, a normally skeptical reporter - and edgy performance by Jay Mohr - trails the story. Looking like Kathleen Turner in "Crimes of Passion," Helen Hunt is a raw nerve of emotion as a mother trying to re-connect with her son and, eventually, find love with Kevin Spacey's "Mr. Simonette," who has his own wounds. Scenes jump from subplot to subplot making the script sometimes hard to follow. However, using a reporter to "unfold" the story is an ingenious plot device. While at times melodramatic, the whole cast is excellent. Supporting actors include Jim Caviezel ("Frequency") and Angie Dickenson. (TV's "Police Woman" has become a grandmother.)
"Pay It Forward" is a powerful, feel good movie made even more compelling because of the surprise ending that breaks the heart and challenges the mind all in one moment. Filmmakers tapped into myth, that of the self-sacrificing savior. According to Joseph Campbell, the Christ figure, by his suffering, brings forth the "humanity of the human heart." If one's spiritual path is A Course in Miracles, you might wonder if this power is derived from the ego, since sacrifice and suffering are basic to the ego thought system. The simple, though not simplistic, answer is maybe, maybe not; it depends on "which voice" you are listening to. In any case, "Pay It Forward" is a must see and gets 4.6 out of 5 smiley faces.
"Proof of Life"
"Proof of Life" "Proof of Life" is a pure adrenalin rush with action sequences that are exciting, taut and, more importantly, fit the story. Even though it is ten minutes too long, the adventure movie is still a textbook example of how to write a cohesive script. In "Poetics," Aristotle says that every element of "the play" from character, dialogue, theme, or "spectacle" (we might say special effects) must bow down and worship at the altar of plot. Here plot takes on the momentum of a freight train and revolves around an oil company engineer kidnapped by Latin American rebels (filmed authentically in Ecuador where the crew dealt with everything from an active volcano to a military coup).
The man's wife wants him back (or does she - think "Casablanca"); the rebels just want cash. Not very confident in the "locals," the wife, a perfectly coiffed Meg Ryan, hires a "K and R," kidnap and rescue, expert played by Aussie hunk Russell Crowe ("Gladiator"; Oscar nominee for "The Insider"). Movie-goers fascinated by the gossip surrounding their love affair during filming may be disappointed by the lack of romance in the movie yet enticed by their on-screen chemistry. The "romantic" publicity definitely makes the action flick more interesting for non-adventure fans because, unlike art works such as paintings and books, what goes on in the mind of the movie audience has an effect serving to "fill in the cues in order to complete the representation."
Also stars David Caruso (to the delight of early "NYPD Blue" fans - especially females), Pamela Reed, David Morse ("St. Elsewhere), and Anthony Heald (the man who became dinner at the end of "Silence of the Lambs"). While predictable at times and occasionally more gory than necessary, "Proof of Life" is an entertaining roller coaster ride getting 4.299 out of 5 smiley faces.
VIDEO PIX -"Remember the Titans"
"All separation, all distinctions, and the multitude of differences you believe make up the world. They are not there... Forgiveness is the healing of the perception of separation." ACIM
It can be said that the heart of a good script is the meeting of opposing forces. As to be expected, the opposing forces driving "Remember the Titans" involve "perceived" racial differences. In yet another Oscar caliber performance, Denzel Washington stars as Herman Boone, black coach of one of the first integrated high schools in the South. Will Patton, who also deserves Oscar notice, co-stars as the assistant white coach, a good man who must come to terms with his prejudices. One of the ways he is able to do so is by seeing his fear based beliefs through the eyes of his innocent little girl. (The whole father/daughter, single parent subplot is not only sweet but also funny.)
Football fans should be pleased by the well-choreographed football sequences, but this is more than a sports movie, it is well directed, thought provoking, compelling, and entertaining. Even the young mostly unknown cast making up the football team is excellent. (These subplots provide good examples of how "special" relationships can become "holy" relationships.)
The film's biggest criticism comes from some movie critics who say it is riddled with cliches, which is an odd criticism, considering it is based on a true story. Moreover, what critics tend to forget is cliches become cliches because there is an element of truth in them. A rousing feel good movie that leaves audiences cheering, "Remember the Titans" is a must see and gets 4.69 out of 5 smiley faces.
"Save the Last Dance"
Conjure up the feel good dance energy of "Flashdance" and "Footloose". Mix a little "Romeo and Juliet", by way of "West Side Story" - but with a happy ending, and you have "Save the Last Dance". Julia Stiles ("State and Main") stars and expresses amazing emotion and depth for an actress so young. When "Sarah's" mother dies in a car accident just as she is auditioning for Julliard, the young woman is overwhelmed with guilt and abandons her dream of becoming a ballerina. To make matters worse or as A Course in Miracles would say to give her an opportunity to release fear and get closer to God, the young woman must now move to inner city Chicago, live with her musician father whom she barely knows and attend a mostly black high school - quite a change from her middle class, Mid-Western existence.
Luckily, she befriends "Chenille" played by Kerry Washington, a young actress with charm to burn, and develops a tender interracial romance with "Derrick" (talented Sean Patrick Thomas) who encourages her not to give up on her dancing dreams. Within this holy relationship, she begins to heal. Likewise, he maintains the courage to follow his own dream - going to medical school - instead of letting a friend drag him into a gang war. Having seen only the trailers, which were targeted at young audiences, it could be easy to dismiss this MTV production as a simplistic teen flick. That would be a mistake.
Not only does its hip-hop culture provide an interesting and fresh setting, but digging deeper, the script delves into important issues that keep us separate from our brothers and sisters including racial and class conflict. In addition, the editing and story telling are well done especially in the last act, which leads up to a romantic and rousing ending that leaves audiences cheering. All ages and races (great for parents and kids together) can enjoy "Save the Last Dance", which gets 4.4 out of 5 smiley faces.
"Shrek"
"Shrek" is the latest twist on the timeless fairy tale, and it is, indeed, a bit twisted. Anytime the "Gingerbread Man", looking very tasty, is being tortured for information and responds by saying, "eat me" you know you are in an altered animated reality. DreamWorks dynamic duo, Spielberg and Katzenberg (left Disney in a none too amicable split) have produced a fresh and clever spoof full of puns, in-jokes, and references - often sly - to other movies and cartoon characters. The Mouse, in particular, takes a few fun jabs. For instance, the "almost king's" castle bears a major resemblance to the Magic Kingdom.
All the normal fairy tale conventions are turned upside down here. Your standard handsome prince, "Lord Farquaad", becomes a very short villain (John Lithgow of "Third Rock from the Sun"). The princess proves that beauty really is in the eye of the beholder, and the ending is not the "usual" happily ever after - though it is truly happy - and a very good example of a Holy romantic relationship. Mike Meyers, "Austin Powers" himself, is the voice of the not so jolly but very green ogre. As it turns out his bark really is worse than his bite. He is just an insecure softy. Yes, there is an inside joke involving the "international man of mystery."
As the strong and independent princess - definitely not your normal damsel in distress - Cameron Diaz is gorgeous even in cartoon form. One scene could have come right out of "Charlie's Angels" with a little "Matrix" and "Crouching Tiger" thrown in for good measure. Perhaps the most hilarious character is "Donkey" voiced by Eddie Murphy. Kids of all ages will be enchanted by the storytelling while adults will be pleased by the wicked wit. Creative, hip and happenin' with "thoughtful" themes of self-love and acceptance, "Shrek" is an entertaining, intelligent must see and gets 4.9 out of 5 smiley faces.
"Someone Like You"
Ashley Judd, daughter of Naomi and sister to Wynona, stars in "Someone Like You", a romantic comedy a la the screwball genre of the 20's. Based on Laura Zigman's book Animal Husbandry, the plot revolves around "Jane" not plain by any stretch of the imagination but rather a young fairy-tale princess who falls for prince charming played in amazingly bland fashion by Greg Kinnear (Oscar nominee for "As Good As It Gets"). At least he seems to be your mythical knight in shining armor until he abruptly dumps her. Instantly, her "special love" (fears repressed) turns to "special hate" (fears not).
Then she reads an article about the mating habits of bulls; they mate once and only once with a cow and - next. Applying this "New Cow Theory" to the mating habits of men, "Jane" theorizes that the male of the species will engage in dating and or any other romantic function with the female ONLY while the milk is fresh, so to speak, then move on to NEW and greener pastures. Having lost her Manhattan apartment because she was planning on moving in with the handsome prince who was really a frog in disguise and former co-host of E's "Talk Soup", the damsel in distress moves in with a womanizing co-worker in need of a roommate.
Huck Jackman ("X-Men") plays the typical bullish male. In fact, he is supposedly a frog with no pretensions of princedom. However, this is a romantic comedy. Is he a gallant knight waiting to happen? Could it be love in bloom? Will they live happily ever after? Perhaps not as good as it could be - it feels mean-spirited at times and would benefit by more emotional depth. But Ashley and Hugh are excellent, and best friend Marisa Tomei ("What Women Want") nearly steals the movie. "Someone Like You" is often funny and generally entertaining with witty repartee and thought provoking "relationship" themes. This battle of the sexes gets 3.1 out of 5 smiley faces.
VIDEO PIX - "Spanish Prisoner"
"When a fortunate rhythm has been struck by the artist, you experience radiance... the all informing Christ... you become aware of the relationship of part to part, each part to the whole, and the whole to each of its parts... " James Joyce
Campbell Scott, perhaps best known for his role as Julia Roberts' love interest in "Dying Young," stars in "The Spanish Prisoner." Although not as charismatic an actor - yet - as his father, George C. Scott, he is excellent as a decent guy, whose "boy scout" code of honor makes him the target of a complex con game. His brilliant co-star in an uncharacteristic dramatic performance is Steve Martin.
While not an adventure, this movie does have plenty of action - though mostly mental. It is not a horror movie or thriller - though it is very suspenseful. Nor is it a "who done it" - though it has a pervading sense of mystery. Film operates on several levels, but sometimes its pleasure, its "fortunate rhythm," is derived merely from a good story well told. "The Spanish Prisoner" succeeds because the script is intelligent, the actors give superb performances, and the story is intricately plotted and well directed. May be too slow for some. But the video is worth a look. It gets 3 out of 5 smiley faces.
VIDEO PIX - "Stir of Echoes"
"Stir of Echoes" stars Kevin Bacon as a blue-collar guy. He loves his wife. He's a good dad. Yet, he feels that something is missing in his "normal" life. What has he accomplished? His uneventful existence takes a very strange turn, when wacky, metaphysical sister-in-law played by consummate character actress, Ileana Douglas, hypnotizes him. While under, a door is opened in his mind. When he snaps out of it, he's not the same. He's become a channel for all sorts of metaphysical goings on. His senses are bombarded.
Eventually, he sees the presence of a missing teen-age girl, who leads him to find out what happened to her. As the supernatural mystery unfolds, he gets more than he bargained for and realizes that being "normal" really isn't so bad. Bacon's performance is exceptional. This film opened in theaters after "The Sixth Sense." Because of its similarity to that blockbuster and a lackluster marketing campaign, it was overlooked by many moviegoers. It deserved a wider audience. Tight plot, good storytelling and otherworldly chills make for a haunting, edge of your seat experience.
VIDEO PIX - "The Straight Story"
In an Oscar nominated performance, the last before he died, Richard Farnsworth stars in "The Straight Story." David Lynch best known for slightly off center films such as "Blue Velvet" and "Eraserhead" directs this low key, true story with surprising tenderness - though a few opening moments display some quirky Lynch touches and the score occasionally has a "Twin Peaks" tone.
According to Alvin Straight "the worst part about being old is remembering when you were young." He walks with two canes, has diabetes, heart trouble, and emphysema, not to mention the fact he is half blind. Yet he is determined to travel from Iowa to Wisconsin to see his brother and heal old wounds. He cannot remember why they have not spoken for over twenty years he just knows it is a story "as old as Cain and Abel" involving "vanity, anger, and a lot of liquor." Why did this story become a Hollywood movie? His mode of transportation is a John Deere tractor. The daughter, played excellently by Sissy Spacek, tells him, "Dad you can't do this. You were born when Calvin Coolidge was president."
As often in life, though the destination is worthy, it is the journey that is most important. Along the way, he becomes in the words of "A Course in Miracles" a "communication vehicle for love" touching numerous lives including a pregnant teen run-away, two bickering twin brothers, and an old man finally able to come to grips with haunting war experiences. To a group of young bikers he states he has "learned to separate the wheat from the chaff and let the bad stuff go." This film may be too slow for audiences into car chases, special effects, or serial killers. But if you are willing to let a touching and well-told tale enfold you like a blanket, "The Straight Story" is a good video bet and gets 4.64 out of 5 smiley faces.
"Sweet November"
"Sweet November", a remake of the 1968 film starring Sandy Dennis and Anthony Newly, belongs to the romantic tearjerker genre which would include "Love Story", "Untamed Heart" (very good with Christian Slater and Marisa Tomei) even "Brian's Song" and "Terms of Endearment." Unfortunately, all are much better movies. Keanu Reeves, fresh from critical kudos in "The Gift" and mega box office success in "The Matrix", stars as a self-absorbed, career obsessed advertising exec who has no time for real relationships, romantic or otherwise. Enter "Sara" a free spirit who, for reasons made clear later, takes on a different "project" every month, whereby she picks a man badly in need of love not to mention fun and shows him how to have both.
Charlize Theron plays the beauty who says a month is "long enough to be meaningful and short enough to stay out of trouble." She rises above the mediocrity of the script to make the sappy, unrealistic dialogue and convoluted plot almost believable. Reeves, on the other hand, gives a wooden un-inspired performance though he and his leading lady have a nice chemistry which began when they starred in "The Devil's Advocate" with Al Pacino. Two supporting players deserve mention. Greg Germann, "Richard" from "Ally McBeal", plays a character not unlike his sitcom role. Jason Isaacs plays a transvestite, a role totally different from his villainous Colonel in Mel Gibson's "The Patriot". Both are hilarious. In addition, the cinematography is excellent and highlights the beautiful San Francisco setting.
Basically, "Sara's" motivation is find someone who is broken and fix him which, in reality, is her way of not dealing with her own perceived brokenness. For A Course in Miracles' students, this is an ideal example of projection - seeing the problem outside ones self, which is to say, placing it on the screen instead of inside the projector. The big question however - on the form level - is why did this contrived film deserve a remake? Which "voice" were they listening to? Not a must see unless you are a fan of the two leads. "Sweet November" gets only 1.79 out of 5 smiley faces.
VIDEO PIX - "Three Kings"
"Saddam stole the treasure from the Sheiks. I have no problem stealing it from Saddam." There you have the plot of "Three Kings." As the Gulf War comes to a close, opening scenes show some of the incongruities of war. Some men celebrate. Others complain they did not get to kill anybody. Meanwhile, a scruffy looking George Clooney leads a group of soldiers who find a treasure map in the unlikeliest of places, a captured Iraqui's body part. The plan is to leave camp by dawn, "get the gold," and get back before sunset.
As with best-laid plans of mice and men, not to mention EGOs and Hollywood movies, things go terribly awry. They find the gold, but they also find a village about to be exterminated by Saddam's troops. Making matters worse, one of their own is captured. The conflict is compelling, the characters well developed, and the dialogue intelligent (though too "Quentin Tarantino like" in places). The excellent cast includes Mark Wahlberg ("The Perfect Storm"), Ice Cube, Spike Jonze (director of "Being John Malkovich"), and Nora Dunn.
The well-structured story has several underlying, thought provoking themes. "The war is over and I don't know what it's about." Says a reporter. Whether intentional or not, the sentiment is anti Gulf War. Perhaps, the most important theme is how people who perceive each other as SEPARATE can come together; for instance, the black "brother" and white "cracker" who become friends. Likewise, the American soldiers end up risking not only the gold but also their lives to save their Muslim brothers. Though a little slow in the beginning, "Three Kings" is well crafted and gets 2.7 out of 5 smiley faces.
"Traffic"
Winner of several Golden Globes, "Traffic" comes from Steven Soderbergh who also directed "Erin Brockovich" and is currently filming a remake of "Ocean's Eleven", the 60's film starring Frank Sinatra and the Rat Pack. While technically brilliant (camera work, editing, cinematography, etc.) the movie's length of 147 minutes and documentary style combine to make it occasionally emotionless and sometimes boring. It is not so much telling a story as tying together several plotlines (albeit brilliantly) centered on one subject, the war on drugs.
Even though his "communication vehicle" is looking a bit craggy around the edges, Michael Douglas is excellent as the new U.S. drug czar who discovers just how complex the drug problem is not only in America and Mexico but also in his own back yard in the form of his teenage daughter. Michael's real life wife Katherine Zeta-Jones costars; unfortunately they have no scenes together. She is shocked when her drug-kingpin husband is arrested. To protect her child and the high society life to which she has grown accustomed, she becomes just as ruthless as he - to the point of murder - to get him out of jail.
Not unlike Shakespearian court jesters, Don Cheadle ("The Family Man") and Luis Guzman provide comic relief as bantering DEA agents. The cast of many also includes Dennis Quaid, Steven Bauer, Amy Irving (Steven Spielberg's former wife) Miguel Ferrer, and a smoldering Benicio Del Toro (Golden Glove winner for Best Supporting Actor) as a border cop. Those interested in the craft of filmmaking will definitely want to check out this certain Oscar nominee. On the other hand, if you are in the mood for a feel good heart-warmer, "Traffic" may not be your ticket. It gets 3 out of 5 smiley faces.
"Unbreakable"
It is typical of the hero's journey, according to Joseph Campbell that there is a place to find, which is within yourself. "There is a center of quietness within which has to be known and held."
Having seen trailers for "Unbreakable," you may think you know what this fantasy is about; nonetheless, you will be surprised when the theater lights go down and the film begins to roll. M. Knight Shyamalan, the man responsible for mega-hit "The Sixth Sense" wrote and directed with Bruce Willis as a security guard, the lone survivor of a catastrophic train wreck. Remarkably, he "doesn't have a scratch on him." After receiving a note asking him if he has ever been sick, "David" is set upon the hero's journey, a journey of self -discovery, where he begins to question why his life is shrouded in sadness and tries to recapture his spiritual center, "the quietness within."
His exploration is led by "Elijah" (Biblical symbology here) played by Samuel L. Jackson (having an extremely bad hair day). Born with arms and legs broken, his bones are so fragile that the least possible incident sends him to the hospital. Comic books feature prominently in the supernatural story, and Shyamalan sets up many of his shots like a comic strip. In fact, you often feel like you are reading rather than watching.
Like "Sixth Sense," characters and settings are blue collar, colors are somber, themes are lofty and metaphysical, and the director lets the mystery unfold - almost trance like. He does not insult the intelligence of his audience by telegraphing each scene. And, yes, there is a surprise twist at the end. Moreover, he uses every aspect of filmmaking: sets, lights, props, camera work, and costumes; all are all at the heart of the mythological story and its eerie telling. "Unbreakable" gets 3.3 out of 5 smiley faces.
"The Wedding Planner"
"The Wedding Planner" is a romantic comedy with an old fashioned feel that will leave you feeling warm and fuzzy all over. Best known for energetic dance choreography, Grammy nominated music, dramatic roles ("The Cell", "Selena") and the designer clothes she wears or does not wear, Jennifer Lopez stars and takes a humorous turn in the title role. This change of pace is successful, for she is not only likeable and effervescent - she is very funny. Her hunky costar (according to our Bon) Matthew McConaughey also departs from his usual dramatic roles ("U-571", John Grisham's "A Time to Kill").
In true "Cinderella" style, her princess (and her shoe - you have to be there) are saved by his prince from a disastrous encounter with a runaway dumpster. Their connection is instant, and they end up spending a magical day together. In interviews, McConaughey has said that their dance scenes serve as the film's only sex scenes. When princess "Mary" is hired to plan a high society wedding, she is shocked to learn that prince "Steve" is the groom.
To complicate this particular "illusion", the father played beautifully by Alex Rocco (perhaps best known as "Jo's" dad on "Facts of Life") "arranges" her marriage to an Italian stud. Will there be a wedding? Does love conquer all? Will everyone live happily ever after? "Holy matrimony, Batman." For answers to these and other questions, you must see "The Wedding Planner." Fanciful, refreshing and sweet, it gets 4.68 out of 5 smiley faces.
VIDEO PIX - "What Dreams May Come"
"You didn't disappear. You only died." So says a spirit guide played by Cuba Gooding, Jr. in "What Dreams May Come." Robin Williams is a man who dies in a car crash and "wakes" to a world where "We all paint our surroundings." His heaven is dappled with beauty and painted with luscious color. Meanwhile, his wife "Anna", the soulful Annabella Sciorra, is so tortured by guilt over his death that she kills herself. Because suicides "violate their journey," she is doomed to hell, a hell of her own making since it is created by her own thoughts.
When "Chris" finds out, he is determined to save her. His creepy guide to hell, Max Von Sydow, tells him, "When you find her, nothing will make her recognize you. Nothing will break her denial. It's stronger than her love." Undaunted, he responds, "You don't know us. We're soul mates." If heaven resembles a Renaissance painting, hell is more like Dante's Inferno. Once there, he is warned not to stay too long, just long enough to say goodbye, or he may "lose his mind."
Unable to reach her, he realizes he must give up and let go. Yet, his love is so strong, instead of leaving her, he chooses to join her. In that instant, the miracle occurs, and they are both transported back to heaven because "Healing is the effect of minds that join." (ACIM) Blending elements of Catholicism, New Age spirituality, art, literature, and philosophy, "What Dreams May Come" is beautiful, poetic, romantic, and thought provoking. A spectacular video choice, it gets 5 out of 5 smiley faces.
VIDEO PIX - "What Planet Are You From?"
Gary Shandling, who also co-wrote the script, stars in "What Planet Are You From?" In this other worldly comedy, directed by the brilliant Mike Nichols ("Working Girl," "The Birdcage," "The Graduate," husband of Diane Sawyer), Shandling is an alien from an all male planet so hi-tech that the men no longer need, so they do not have, emotions. Likewise, they reproduce by cloning, so they no longer need, thus they no longer have, a penis. Co-starring, as the planet's leader, is Ben Kingsley, "Gandhi" himself, who plays the part so seriously he is funny. When he decides to take over earth, he sends Shandling to begin the process by impregnating an earthling.
Like many men, Shandling finds sex somewhat difficult to obtain, since normally you just cannot go up to "most" females and ask to have it. He finds that all that communication and romance gets in the way - not to mention the fact he has an artificial penis that hums when he becomes aroused. Another problem, the new alien male does not count on is he begins to develop emotions. Cast includes Greg Kinnear (not very good) as a womanizing co-worker, John Goodman, and Annette Benning as the mother to be. The Oscar winner is okay, but she and Shandling have no chemistry.
While this film has some funny even insightful moments, indeed, the theme could have been ripped from the pages of John Gray's book, Men are from Mars Women are from Venus. The problem is it is not - on the whole - funny, though in fairness the last half is better than the first. However, if you are a big fan of the low-key humor of Gary Shandling, you might enjoy it. "What Planet Are You From?" gets 1.9 out of 5 smiley faces.
VIDEO PIX - "What Women Want"
"What Women Want" is a fantasy about what might happen if men knew what women were thinking. Raised by a Las Vegas showgirl, Mel Gibson becomes a macho "man's man." After a fluke accident, he is able to hear what females are thinking from the jogger on the street to the poodle in the park. This newfound talent scares the self-centered lady-killer especially when he realizes that most every woman he knows thinks he is a pig. Trying to find a cure, he visits a therapist, the hilarious Bette Midler, who convinces him he has a gift, which he then begins to use in various ways from getting dates to having spectacular sex to sabotaging the woman who got his promotion. That woman is played by Helen Hunt. In her best big screen performance to date, she allows her natural beauty and natural comic timing to shine. Rest of the cast includes Alan Alda, Lauren Holly, Delta Burke, and Marisa Tomei (Oscar winner for "My Cousin Vinnie").
Surprisingly, this is Gibson's first romantic comedy, which he has stated made him nervous. Not only is he funny, however, he is probably one of the few actors who could have pulled off the part. There are many scenes especially in the first Act where his character is despicable. But somewhere in the group mind of the audience is the perception that this is Mel Gibson and everything will be fine - which gives the director time to develop the character arc and tell the story. This is important because character development is the centerpiece of the film. As "Nick" gains insight into how women feel, he begins to have real friendships with the opposite sex, most poignantly, his estranged teen-aged daughter. In addition, as he discovers the women in his life, he also gets to know himself.
The blossoming relationship with his new boss, independent yet vulnerable "Darcy," is believable and romantic, even though the last few lines of the movie are a bit flowery and awkward. Filmmakers are perhaps trying too hard not to present an old style "Cinderella" where prince saves princess, since the goal here is equality. On the other hand, this film is a throwback to the screwball comedies of the 30's like "It Happened One Night" and their successors in the 50's as epitomized by the Doris Day/Rock Hudson romantic romps. Yet, it is a thoroughly modern version of Mars and Venus and becomes an extension of even homage to these classic comedies. "What Women Want" is entertaining, often thought provoking, sometimes insightful and gets 4.599 out of 5 smiley faces.
VIDEO PIX - "Woman on Top"
GROUP MOVIE OF THE WEEK
Hot! Hot! Hot! Spicy, too. That describes "Woman on Top," which introduces American audiences to Penelope Cruz. In this whimsical, fairy-tale delight, the sultry, Spanish star "literally" causes wilted tulips to reach for the sun as she makes hearts swoon and the movie screen light up.
Cursed by the Brazilian gods with severe motion sickness, young Isabella never fit in except in the kitchen, where as she grew she learned to express her passion through food. To repress her "queasy" fears, the adult beauty must maintain control, whether it's driving herself, taking the stairs instead of the elevator, or in the bedroom by... hence the title. Tired of never being on top, macho heartthrob of a husband cheats on her, whereupon she flees to picturesque San Francisco, reunites with childhood friend, fellow misfit, and hilarious transvestite, Monica - while at the same time becoming the star of a cooking show.
"Woman on Top" is a colorful, magical feast for the senses. It's rhythms and metaphysics' are distinctively Caribbean. It is fun, while at the same time revealing characters who grow into something more than they were in the beginning. The group rating was a definite thumbs up.